With Bugs Lines, the imaginary world of Fanny Garnichat fully enters the MaVoix universe.
The French artist reassembles fragments of found objects — stones, pearls, lace, cuttings, insects, and gems — into hybrid, surreal figures, both evocative and provocative.
Here, collage becomes the grammar of the fantastical, and the wallpaper a fertile field where each element tells a small myth.
Bugs Lines unfolds through a regular vertical structure: ornamental bands alternating intense color fields and central figures — butterflies, serpents, imaginary flowers, and sacred vulvas — all composed in a post-digital baroque style that both references and overturns the Rococo.
Symmetry becomes totemic, opulence turns into pattern.
Its decisive, rhythmic structure makes this design perfect for architectures seeking visual intensity and iconic narration.
In Bugs Lines Onyx, the deep, saturated black onyx background opens like an endless night, from which Garnichat’s collage compositions emerge.
The elements — lush greens, vivid reds, pearlescent whites, and emerald tones — shine as if embedded in velvet.
The striped structure alternates darker segments and circular decorative motifs in blood red, adding rhythm and allure.
The contrast between the darkness of the base and the brightness of the details creates a magnetic, theatrical surface — intense, luxurious, and scenographic.
Perfect for opulent interiors, statement corridors, retail environments, or artistic installations.